• Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About
Tuesday, June 2, 2026
  • Login
  • Register
The Contending
No Result
View All Result
  • Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About
No Result
View All Result
The Contending
No Result
View All Result
Home Directing

‘The Gilded Age’ Season 3 Director Deborah Kampmeier Breaks Down Key Scenes In “What the Papers Say”

Clarence Moye by Clarence Moye
July 1, 2025
in Directing, Featured Story, Featured Television, Interviews, Television
0
The Gilded Age director

Photo Courtesy of HBO

Share on FacebookShare on Twitter

The Gilded Age season three finds our favorite period melodrama in fine shape. This acclaimed season focuses on the threat and promise of marriage within the period. Some marry for love. Some marry for prestige. And some have little say in the matter with marriages arranged for them. Regardless of the method of entry, nearly every marriage within the series holds the ever-present threat of divorce, a then-disastrous social plague, over them. The Gilded Age season three explores the dynamic of marriage and martial power amongst the wealthiest couples of the era.

In the recent second episode of the season, “What the Papers Say,” episode director Deborah Kampmeier explored this fascinating dynamic between married couples. She asks who truly holds the authority in a marriage of that period and reinforces that power through her subtle staging.

Thanks to a well executed exchange between Arthur and Dorothy Scott (John Douglas Thompson and Audra McDonald), Kampmeier explored not only the martial dynamic between these two fascinating characters, but she also overlayed the theme of race within the period.

“[The Scotts] are in this neighborhood, which is a very white neighborhood. Do we go to the servants entrance? Do we go through the front door? The stance that he takes in this entire sequence is around what it means to come into this home,” Kampmeier explained. “I also think it mirrors the role of the man and the woman. The man is making these kinds of decisions. It’s a nice way of showing that relationship on many levels, levels of race and sex.”

Returning to The Gilded Age after directing two season two episodes, Kampmeier found that “What the Papers Say” allowed several moments where she could blend in-depth characterization with in-camera framing to underscore the scene’s theme. Here, in a video interview with The Contending, she talks about positioning estranged couple Charles and Aurora Fane (Ward Horton and Kelli O’Hara) on a staircase in positions of power and of desperation. She shares her strategy behind staging a “robber barons” meeting between George Russell (Morgan Spector) and J.P. Morgan (Bill Camp). She also revels in the opportunity to guide her camera throughout Bob Shaw’s Emmy-winning sets.

Kampmeier also reveals the confidence and authority she gives her esteemed actors as they explore the heavily dramatic scenes, including the potential fraying of the Russell marriage. Will ambition tear this Gilded Age power couple apart?

Find out what went into the making of The Gilded Age season three episode “What the Papers Say” in this video conversation with director Deborah Kampmeier.

The Gilded Age airs Sunday nights on HBO and streams exclusively on HBO MAX.

 

Spread the Word!

  • More
Tags: Deborah KampmeierhboThe Gilded Age
Clarence Moye

Clarence Moye

Clarence Moye is a proud co-founder of The Contending where he writes about film, television, and occasionally Taylor Swift. Under his 10-year run at Awards Daily, Clarence covered the Academy Awards, the Golden Globes, the Telluride Film Festival, the SCAD Savannah Film Festival, the Middleburg Film Festival, and much more. Clarence is a member of the Critics Choice Association.

Next Post
‘I Don’t Understand You’: These Accidental Tourists Are Delightfully Deranged

'I Don't Understand You': These Accidental Tourists Are Delightfully Deranged

Subscribe to Podcast

Apple PodcastsSpotifyAndroidby EmailRSS

Subscribe Now!

Subscribe here to The Contending's newsletter! We will never spam you. We promise!

Looking To Advertise?

Looking to advertise with The Contending? Contact us for inquiries!

The Latest Stuff

Obsession movie reaction

Do We Have An ‘Obsession’ with Elle Fanning’s ‘Money Troubles’? [VIDEO]

June 2, 2026
Richard Rutkowski On Visually Representing the Upstairs/Downstairs Dynamic in the Finale of ‘The Audacity’

Richard Rutkowski On Visually Representing the Upstairs/Downstairs Dynamic in the Finale of ‘The Audacity’

June 2, 2026
‘The Pitt,’ Episodes 12 & 13: the Dignity & the Price of Service

Katherine LaNasa to Receive Variety Virtuoso Award at Bentonville Film Festival

June 2, 2026
Palm Springs International ShortFest Announces 2026 Lineup

Palm Springs International ShortFest Announces 2026 Lineup

June 2, 2026
Grace Yun On Building the Home Bases for the Dueling Couples of ‘Beef’

Grace Yun On Building the Home Bases for the Dueling Couples of ‘Beef’

June 2, 2026

Wise Words From Our Readers

  • Chris Dale on Top Ten Tuesday: The Greatest High School Movies
  • rangoski on Valeria Golino, Queen Of Open Roads 25, On Her 4 Fab Films [VIDEO]
  • Broadway Nomad on Tony Awards 2026 Predicted Winners: Will It Be A Schmigasweep Or Can ‘The Lost Boys’ Fly Home With Top Honors?
  • FJA on Tony Awards 2026 Predicted Winners: Will It Be A Schmigasweep Or Can ‘The Lost Boys’ Fly Home With Top Honors?
  • Michael Meyers on Top Ten Tuesday: The Greatest High School Movies
The Contending

© 2025 The Contending

Find All the Things

  • Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About

Dreaded Social Media

Welcome Back!

Login to your account below

Forgotten Password? Sign Up

Create New Account!

Fill the forms below to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About

© 2025 The Contending

  • More Networks
Share via
Facebook
X (Twitter)
LinkedIn
Mix
Email
Print
Copy Link
Copy link
CopyCopied