James Parnell &#038; John W. Cook On Building Sound for the Right Clap for &#8216;Hacks&#8217; and the Quiet Crises of &#8216;DT

Crafts

James Parnell & John W. Cook On Building Sound for the Right Clap for ‘Hacks’ and the Quiet Crises of ‘DTF St. Louis’

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Film

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Emmy Awards

‘Jury Duty’ Nominee Anthony King On Getting Anthony Norman to the Right Place for the Right Time

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Steve Arnold On Designing a Perfectly Unsettling Destination for ‘Widow’s Bay’

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Featured Story

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Interviews

James Parnell & John W. Cook On Building Sound for the Right Clap for ‘Hacks’ and the Quiet Crises of ‘DTF St. Louis’

Doug Emmett is a ‘Chameleon’ Cinematographer. Exhibit A: ‘Furious’ and ‘Lucky’

‘The Last Blossom’: Baku Kinoshita On Why He Wanted to Focus More on One Character

James Cusati-Moyer On the World Premiere of ‘Sacred Creatures’ at Edinburgh International Film Festival [VIDEO]

‘Jury Duty’ Nominee Anthony King On Getting Anthony Norman to the Right Place for the Right Time

[VIDEO] The Pitt’s Katherine LaNasa on What Happens When Dana’s Alone in That Exam Room

‘Remarkably Bright Creatures’ Director Olivia Newman on the Magic Behind Alfred Molina’s Narration

Steve Arnold On Designing a Perfectly Unsettling Destination for ‘Widow’s Bay’

‘The Beast in Me’: Gabe Rotter & Daniel Pearle On Rage, Being Neighborly, and Finding Dark Connections

HollyShorts: hazart On Embracing the Chaos of a Festival Panel for ‘Stay for the Q&A’

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James Parnell & John W. Cook On Building Sound for the Right Clap for ‘Hacks’ and the Quiet Crises of ‘DTF St. Louis’

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Doug Emmett is a ‘Chameleon’ Cinematographer. Exhibit A: ‘Furious’ and ‘Lucky’

‘The Last Blossom’: Baku Kinoshita On Why He Wanted to Focus More on One Character

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