• Main
  • Film
  • Oscar Predictions
    • Best Picture
    • Best Director
    • Best Actor
    • Best Actress
    • Best Supporting Actor
    • Best Supporting Actress
    • Best Original Screenplay
    • Best Adapted Screenplay
    • Best Casting
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About
Tuesday, October 6, 2026
  • Login
  • Register
The Contending
No Result
View All Result
  • Main
  • Film
  • Oscar Predictions
    • Best Picture
    • Best Director
    • Best Actor
    • Best Actress
    • Best Supporting Actor
    • Best Supporting Actress
    • Best Original Screenplay
    • Best Adapted Screenplay
    • Best Casting
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About
No Result
View All Result
The Contending
No Result
View All Result
Home Interviews

Jennifer Simard: Broadway Diva Kills In ‘Death Becomes Her’ [VIDEO]

The two-time Tony Award nominee is poised to land her third nod in an insanely crowded year.

Frank J. Avella by Frank J. Avella
April 15, 2025
in Best Actress in a Musical, Interviews, Theater, Tony Awards
0
Jennifer Simard: Broadway Diva Kills In ‘Death Becomes Her’ [VIDEO]

Photo by Matthew Murphy and Evan Zimmerman

Share on FacebookShare on Twitter

Broadway Diva Jennifer Simard has been killing it on Broadway for almost two decades. Note: I use the word “diva” in the best, most fabulous definition of that word.

She’s currently wowing audiences 8 performances a week at the Lunt-Fontanne Theatre in one of her most hilarious and outrageous roles, that of Helen “Hell” Sharp, frenemy of Madeline “Mad” Ashton (Megan Hilty) in the musical adaptation of Robert Zemeckis’s Oscar-winning cult film Death Becomes Her. Rivals since high school, Mad steals Hell’s man, Ernest (Christopher Sieber). Hell vows revenge and concocts a plan to win back Ernest and murder Mad. The plan goes awry when it turns out both women have swallowed a potion that will keep them youthful and gorgeous. Oh, and allow them to live forever. Sempre viva! But both Hell and Mad do not heed the warning to take care of their bodies and are left a shambles when they try and off one another. But they still have each other.

Photo by Matthew Murphy and Evan Zimmerman

Meryl Streep and Goldie Hawn played Mad and Hell, respectively, in the iconic 1992 film. While elements of the characters are similar, the actors have refreshingly deviated from any kind of mimicry or impression of the legendary actors (take that Back to the Future) and, instead, they breathe fresh, new life into each glam gal—creating their own crazy but bonded duo. In fact, the strong closeness that this Mad and Hell achieve goes well beyond the film. Visit the show’s website for tickets. See my review HERE.

Simard first became involved with the workshop of Death Becomes Her in 2022.

In the late 1990s, Simard starred in a few Off-Broadway musicals including I Love You, You’re Perfect, Now Change before making her Broadway debut as a replacement in The 25th Annual Putnam County Spelling Bee in 2007. She then appeared in both Shrek The Musical (2008) and Sister Act (2011). In 2016 she received her first Tony nomination for the jukebox musical comedy satire, Disaster!, stealing all her scenes. The Bette Midler revival of Hello Dolly! followed where she had us giddy as Ernestina. In 2019, she was a replacement in Mean Girls. Post-pandemic, the celebrated gender-bending revival of Company brought her a second Tony nomination in 2022. Last season she was featured in the Britney Spears jukebox show Once Upon a One More Time.

Besides her two Tony nods, she’s five-time Drama Desk Award, three-time Drama League Award, and Lucille Lortel Award nominee. She may very well add a third Tony nomination for Death to her ever-growing list of achievements.

Film credits include Somewhere in Queens, The Flintstones in Viva Rock Vegas, Wish You Were Dead, and Sisters. And on TV she’s appeared in Girls5eva, The Good Wife, Law & Order, Law & Order: SVU, The King of Queens, and Younger.

The Contending had a blast Zoom chatting with Simard.

Spread the Word!

  • More
Tags: Death Becomes HerJennifer Simard
Frank J. Avella

Frank J. Avella

Frank J. Avella is a proud staff writer for The Contending and an Edge Media Network contributor. He serves as the GALECA Industry Liaison (Home of the Dorian Awards) and is a Member of the New York Film Critics Online. As screenwriter/director, his award-winning short film, FIG JAM, has shown in Festivals worldwide and won numerous awards. Recently produced stage plays include LURED & VATICAN FALLS, both O'Neill semifinalists. His latest play FROCI, is about the queer Italian-American experience. Frank is a proud member of the Dramatists Guild.

Next Post
The Roses

'The Roses:' Cumberbatch, Colman Engage In a Very Uncivil War

Subscribe to Podcast

Apple PodcastsSpotifyAndroidby EmailRSS

Subscribe Now!

Subscribe here to The Contending's newsletter! We will never spam you. We promise!

Looking To Advertise?

Looking to advertise with The Contending? Contact us for inquiries!

The Latest Stuff

NYFF 2026: Jordan Firstman’s Queer-Positive ‘Club Kid’ Is One Of The Year’s Best, Most Stirring Films

NYFF 2026: Jordan Firstman’s Queer-Positive ‘Club Kid’ Is One Of The Year’s Best, Most Stirring Films

October 6, 2026
quincy tyler bernstine talks furious season 2

VIDEO: Quincy Tyler Bernstine on Being the Breakout of ‘Furious,’ Plus the TV Part She Took from Rosie Perez

October 6, 2026
Top Ten Tuesday: John Goodman’s Ten Best Performances

Top Ten Tuesday: John Goodman’s Ten Best Performances

October 6, 2026
Shorts: Ashley Walters & Nathalie Emmanuel-Fronted ‘Echoes’ Enters the Live Action Short Film Rae

Shorts: Ashley Walters & Nathalie Emmanuel-Fronted ‘Echoes’ Enters the Live Action Short Film Rae

October 6, 2026
Digger review

‘Digger’ Review: Cruising Into Climate Disaster? [VIDEO]

October 5, 2026

Wise Words From Our Readers

  • Megan Spitfire McLachlan on ‘Obsession’ is Not a Comedy. And After This Week, That Should Be Blaringly Obvious
  • Ferdinand on ‘Obsession’ is Not a Comedy. And After This Week, That Should Be Blaringly Obvious
  • Mark Johnson on Top Ten Tuesday: The Greatest Adapted Screenplays of All Time
  • Teresa Goodwin on ‘Heart of the Beast’ Knows No Resistance
  • Jen on Shorts Exclusive: ‘Unauthorised Absence’ Releases Trailer
The Contending

© 2025 The Contending

Find All the Things

  • Main
  • Film
  • Oscar Predictions
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About

Dreaded Social Media

Welcome Back!

Login to your account below

Forgotten Password? Sign Up

Create New Account!

Fill the forms below to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Main
  • Film
  • Oscar Predictions
    • Best Picture
    • Best Director
    • Best Actor
    • Best Actress
    • Best Supporting Actor
    • Best Supporting Actress
    • Best Original Screenplay
    • Best Adapted Screenplay
    • Best Casting
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About

© 2025 The Contending

  • More Networks
Share via
Facebook
X (Twitter)
LinkedIn
Mix
Email
Print
Copy Link
Copy link
CopyCopied