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Home Category Film

Film

Reviews

Berlinale 2025: ‘Sandbag Dam’ World Premiere Of Exquisite Croatian Queer Drama

February 20, 2025

Dana Fox On Her Responsibility to ‘Wicked’ Fans and the Unlimited Love for Adapting for the Screen

Crafts

Simon Hayes On Letting the Vocals Soar with the Sound Design of ‘Wicked’

February 18, 2025

Costume Design

Arianne Phillips On Bob Dylan’s Denim Journey for ‘A Complete Unknown’

February 18, 2025

Costume Design

Oscars 2025: Frock Flock — A Contending Crafts Bonus Podcast

February 18, 2025

Film

Pacino In ‘Cruising,’ Lange In ‘Frances’ & Keaton in ‘Play It Again, Sam’ Among Hot February 4K/Blu-ray Releases

February 23, 2025

BAFTA

BAFTA: ‘Conclave’ & ‘The Brutalist’ Take 4 Each

February 16, 2025

Guild Awards

WGA: ‘Anora,’ ‘Nickel Boys’ Take Top Prizes

February 15, 2025

Academy Awards

Oscars 2025: How Surprise Guild Wins for ‘Anora’ Became a Rallying Cry for American Filmmakers in a Tumultuous Time

February 17, 2025

Crafts

Daniel Blumberg On Sonically Honoring Physical Space with the Score of ‘The Brutalist’

February 14, 2025

Film

John Powell On Scoring for Stage Versus Screen and How ‘The Crown’ Inspired Fiyero’s Entrance in ‘Wicked’

February 14, 2025

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Film

Berlinale 2025: ‘Sandbag Dam’ World Premiere Of Exquisite Croatian Queer Drama

Simon Hayes On Letting the Vocals Soar with the Sound Design of ‘Wicked’

Arianne Phillips On Bob Dylan’s Denim Journey for ‘A Complete Unknown’

Oscars 2025: Frock Flock — A Contending Crafts Bonus Podcast

Pacino In ‘Cruising,’ Lange In ‘Frances’ & Keaton in ‘Play It Again, Sam’ Among Hot February 4K/Blu-ray Releases

BAFTA: ‘Conclave’ & ‘The Brutalist’ Take 4 Each

WGA: ‘Anora,’ ‘Nickel Boys’ Take Top Prizes

Oscars 2025: How Surprise Guild Wins for ‘Anora’ Became a Rallying Cry for American Filmmakers in a Tumultuous Time

Daniel Blumberg On Sonically Honoring Physical Space with the Score of ‘The Brutalist’

John Powell On Scoring for Stage Versus Screen and How ‘The Crown’ Inspired Fiyero’s Entrance in ‘Wicked’

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