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Reviews

NYFF Review: ‘Nickel Boys’ Mesmerizes With Malick-Influenced Narrative, Visuals

Reviews

NYFF Review: ‘Nickel Boys’ Mesmerizes With Malick-Influenced Narrative, Visuals

September 27, 2024

‘The 4:30 Movie’: A Scrappy Ode to Theater Hopping

Reviews

‘The 4:30 Movie’: A Scrappy Ode to Theater Hopping

October 1, 2024

‘Megalopolis:’ A Visually Stunning, Stunningly Misconceived Coppola Epic

Reviews

‘Megalopolis:’ A Visually Stunning, Stunningly Misconceived Coppola Epic

September 26, 2024

Colin Farrell Continues to Amaze as ‘The Penguin’

Reviews

Colin Farrell Continues to Amaze as ‘The Penguin’

September 23, 2024

Rooney Mara and Raul Briones Shine in the Class Drama ‘La Cocina’

Reviews

Rooney Mara and Raul Briones Shine in the Class Drama ‘La Cocina’

September 22, 2024

‘The Substance’: A Grotesque Dorian Gray Tale on Bloody Bath Salts

Reviews

‘The Substance’: A Grotesque Dorian Gray Tale on Bloody Bath Salts

September 20, 2024

‘In the Summers’ Captures the Adult Melancholy of Looking Back at Childhood

Reviews

‘In the Summers’ Captures the Adult Melancholy of Looking Back at Childhood

October 1, 2024

‘Agatha All Along:’ Entertaining But Lacking In Visionary Magic

Reviews

‘Agatha All Along:’ Entertaining But Lacking In Visionary Magic

September 18, 2024

‘Really Happy Someday’: A Lovely Reacquaintance with Oneself

Reviews

‘Really Happy Someday’: A Lovely Reacquaintance with Oneself

September 19, 2024

‘Sad Jokes’ is a Humane, Gentle Glimpse of the Humor in the Creative Process

Reviews

‘Sad Jokes’ is a Humane, Gentle Glimpse of the Humor in the Creative Process

October 1, 2024

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