A gorgeous cinematic poem, Jaume Claret Muxart’s haunting, lovely coming-of-age film Strange River (Estrany Riu) centers on 16-year-old Didac (Jan...

I love it when a film appears to be moving along in a predictable fashion as a standard genre entry,...

Bernhard Wenger’s delightfully absurd film, Peacock, opens with a glaring, extended static shot of a golf cart on fire. Finally,...

As I was exiting the press screening of Guillermo Del Toro’s Frankenstein, and my eyes were still adjusting to sunlight...

Paolo Strippoli’s dark, disquieting new film, La valle dei sorrisi, has been given the English title, The Holy Boy. The...

The great Carmen Maura (Women on the Verge of a Nervous Breakdown) gifts cinemagoers with a captivating, heartbreaking performance in...

Luca Guadagnino’s deliberately provocative new work, After the Hunt, will definitely spark conversation and his many champions will find ways...

“All my memories are movies.” Noah Baumbach’s Jay Kelly is more relatable than one would think since it’s ostensibly about...

Emma and Yorgos have done it again, with a wholly absorbing, bloody bonkers yet strangely sincere dark comedy thriller of...

László Nemes’ stark, bleak look at human nature, Orphan (Árva), is the first essential film of 2025--provided it secures a...