• Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About
Monday, May 12, 2025
  • Login
  • Register
The Contending
No Result
View All Result
  • Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About
No Result
View All Result
The Contending
No Result
View All Result
Home Critics Awards

‘The Substance’ Named Best Picture by Seattle Film Critics Society

Joey Moser by Joey Moser
December 16, 2024
in Critics Awards, Film
0
‘The Substance’ Named Best Picture by Seattle Film Critics Society

(Photo: MUBI)

Share on FacebookShare on Twitter

Seattle, WA – Seattle Film Critics Society (“SFCS”) announced the winners in 21 categories for the 2024 Seattle Film Critics Society Awards on Monday, December 16, 2024.

The Substance was named the Best Picture of 2024. Written and directed by Coralie Fargeat, the satirical body-swapping evisceration of self-loathing and beauty standards premiered at the Cannes Film Festival this spring where it was picked up by MUBI. With fearless performances from Demi Moore, Margaret Qualley (who won Best Supporting Actress), and Dennis Quaid, the film’s potent body horror message lodged itself firmly into the imaginations of Seattle audiences and critics.

“For the second year in a row, we chose a film directed by a woman, the visually audacious, yet heartbreaking Cannes sensation The Substance, as Best Picture,” noted SFCS President Kathy Fennessy. “It’s also the first time body horror has taken the top spot, while the rest of our winners spanned genres and cultures, from a blockbuster American musical to a devastating Palestinian-Israeli documentary.”

For its third year honoring exceptional filmmaking from the region, SFCS honored Rainier: A Beer Odyssey with Best Pacific Northwest Film. Written and directed by Isaac Olsen, the documentary boasts mountains of archival footage of beloved ads to chronicle the creativity that arose in Seattle during Boeing’s retreat from the city in the 1970s. In partnership with SIFF, SFCS held public screenings of all five Pacific Northwest Award nominees, most with filmmakers in attendance, at Seattle’s SIFF Film Center.

Additionally, SFCS recognized two local filmmakers for their outstanding work. For over a decade, Megan Leonard and Carlos A.F. Lopez have amassed numerous credits as directors, producers, and programmers, most associated with short films and music videos, culminating in this year’s terrifying Dream Creep, the Leonard-produced, Lopez-directed, Oscar-qualifying horror short now streaming exclusively on MUBI. SFCS’s Special Citation pays tribute to their invaluable efforts.  In November, SFCS presented their annual John Hartl PNW Spotlight Award to Kyle MacLachlan at SIFF Cinema Downtown before a screening of the cult classic The Hidden. The actor paid tribute to Hartl and took part in a post-screening Q&A with SFCS Vice President Chase Hutchinson about his career.

Anora, Sean Baker’s story of a sex worker’s whirlwind romance with a Russian oligarch’s heir, was honored with the most awards: Sean Baker for Best Director and Best Screenplay, Mikey Madison as Best Lead Actress for her outstanding performance in the title role, as well as recognition for the film’s Ensemble Cast.

George Miller’s Fury Road prequel, Furiosa: A Mad Max Saga, received three awards: Best Editing, Best Action Choreography, and Villain of the Year for Chris Hemsworth’s raucous turn as Wasteland warlord and Biker Horde founder Dementus.

Other acting honors went to Colman Domingo (Lead Actor) and Clarence Maclin (Supporting Actor) for their portrayal of inmates participating in the transformative Rehabilitation Through the Arts theater program in Sing Sing. Additionally, Izaac Wang was awarded Best Youth Performance for his role as an adolescent exploring his identity through emerging social media and skate filmmaking during one tumultuous 2008 summer in Dìdi (弟弟).

Nickel Boys, RaMell Ross’s daring interpretation of Colson Whitehead’s 2019 novel inspired by real-life atrocities at the Arthur G. Dozier School for Boys in Florida was honored for Jomo Fray’s immersive Cinematography. Elsewhere, The Brutalist’s expansive examination of post-war America through the lens of a Hungarian immigrant architect was recognized for Best Production Design.

Box-office standouts Dune: Part Two and Wicked did not go home empty-handed. Denis Villeneuve’s return to the revolutionary sands of Arrakis was awarded Best Visual Effects and John M. Chu’s adaptation of the hit Broadway musical was recognized for Best Costume Design. Finally, Trent Reznor and Atticus Ross’s pulsating club soundtrack to Challengers, Luca Guadagnino’s torrid tennis love triangle, was named best Original Score.

No Other Land, the harrowing account by a collective of Palestinian and Israeli filmmakers providing a ground’s-eye view of decades of military incursions into one village in the West Bank, was named Best Documentary. Evil Does Not Exist, Ryûsuke Hamaguchi’s experimental portrait of a quiet village’s response to a proposed glamping project was awarded Best International Feature. The Wild Robot, a heart-swelling young adult adaptation of an unlikely cross-species friendship, was chosen as Best Animated Film.

Complete List of SFCS Winners:

Picture – The Substance

Director – Sean Baker, Anora

Actor – Colman Domingo, Sing Sing

Actress – Mikey Madison, Anora

Supporting Actor – Clarence Maclin, Sing Sing

Supporting Actress – Margaret Qualley, The Substance

Ensemble – Anora

Pacific Northwest Film – Rainier: A Beer Odyssey – Isaac Olsen

International Film – Evil Does Not Exist – Ryusuke Hamaguchi

Documentary Film – No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor

Animated Film – The Wild Robot – Chris Sanders

Cinematography – Nickel Boys – Jomo Fray

Editing – Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel

Screenplay – Anora – Sean Baker

Production Design – The Brutalist – Judy Becker (Production Designer), Patricia Cuccia (Set Decorator)

Costume Design – Wicked – Paul Tazewell

Original Score – Challengers – Trent Reznor and Atticus Reznor

Action Choreography – Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator), Richard Norton (Fight Choreographer)

Visual Effects – Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe

Youth Performance – Izaac Wang – Dìdi (弟弟)

Villain of the Year – Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)

Spread the Word!

  • More
Tags: Seattle Film Critics SocietyThe Substance
Joey Moser

Joey Moser

Joey is a co-founder of The Contending currently living in Columbus, OH. He is a proud member of GALECA and Critics Choice. Since he is short himself, Joey has a natural draw towards short film filmmaking. He is a Rotten Tomatoes approved critic, and he has also appeared in Xtra Magazine. If you would like to talk to Joey about cheese, corgis, or Julianne Moore, follow him on Twitter or Instagram.

Next Post
Netflix’s ‘Black Doves’ Swoops in at Year’s End to Surprise Audiences with a Riveting and Emotional Spy Thriller

Netflix's 'Black Doves' Swoops in at Year's End to Surprise Audiences with a Riveting and Emotional Spy Thriller

Subscribe to Podcast

Apple PodcastsSpotifyAndroidby EmailRSS

Subscribe Now!

Subscribe here to The Contending's newsletter! We will never spam you. We promise!

Looking To Advertise?

Looking to advertise with The Contending? Email Clarence Moye for inquiries!

The Latest Stuff

‘Severance’ Star Tramell Tillman To Be Honored at 2025 North Fork TV Festival

‘Severance’ Star Tramell Tillman To Be Honored at 2025 North Fork TV Festival

May 9, 2025
The Editing Team of Dope Thief on Maintaining Pulp Thrills Along With the Personal Story of a Heartbreaking Friendship

The Editing Team of Dope Thief on Maintaining Pulp Thrills Along With the Personal Story of a Heartbreaking Friendship

May 9, 2025
a woman in a hospital bed

‘Dying for Sex’ Editor Jon Higgins Says Episode 1 Originally Had No Molly Voiceover

May 10, 2025
VIDEO: Karen Read Documentary Series Director Terry Dunn Meurer Says She’s Happy to Watch Second Trial From Home

VIDEO: Karen Read Documentary Series Director Terry Dunn Meurer Says She’s Happy to Watch Second Trial From Home

May 9, 2025
Impossible

“Impossible:” Let’s Talk About Sex, Baby

May 8, 2025

Wise Words From Our Readers

  • Julie on Can Netflix’s ‘The Four Seasons’ Enter Emmy’s Comedy Fray?
  • Tom85 on Can Netflix’s ‘The Four Seasons’ Enter Emmy’s Comedy Fray?
  • Glen Runciter on Top Ten Tuesday: The 10 Most Anticipated Films of the Summer
  • Julie on Peabody Awards Announces Winners
  • Eoin Daly on Can Netflix’s ‘The Four Seasons’ Enter Emmy’s Comedy Fray?
The Contending

© 2025 The Contending

Find All the Things

  • Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About

Dreaded Social Media

Welcome Back!

Login to your account below

Forgotten Password? Sign Up

Create New Account!

Fill the forms below to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Main
  • Film
  • Television
  • Theater
  • Best Of the Rest
  • Subscribe
  • About

© 2025 The Contending

  • More Networks
Share via
Facebook
X (Twitter)
LinkedIn
Mix
Email
Print
Copy Link
Copy link
CopyCopied