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San Francisco International Film Festival: ‘The Last First Time’ World Premiere Of Uncompromising New Queer Coming-Of-Age Film

‘Étoile’: Dancing Through Life with Broken Toes and Broken Egos

Indie Horror Film ‘Looky-loo’ Cribs From John Carpenter to Make a Bold Feminist Statement

Netflix’s ‘Havoc’ Lives Up To Its Name (But Is That Enough?)

‘On Swift Horses’ Yanks Us to a Melancholic But Gorgeous Past

Can MAX’s ‘The Last of Us’ Survive Its Own Code?

‘Andor’ Season Two Wins With Deeper Emotional Investment

‘John Proctor Is The Villain:’ Electrifying, Essential New Play by Kimberly Bellflower

Review: Todd Wiseman Jr.’s ‘The School Duel’ Depicts ‘The Purge’ for School Shooters. It’s Terrifying.

No Irish, No Blacks, No Vampires: Ryan Coogler’s ‘Sinners’ Upends Horror Genre

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San Francisco International Film Festival: ‘The Last First Time’ World Premiere Of Uncompromising New Queer Coming-Of-Age Film

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Indie Horror Film ‘Looky-loo’ Cribs From John Carpenter to Make a Bold Feminist Statement

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